The Dozan Wa Awtar choir and instrumentalists, with Shireen Abu-Khader conducting, exceeded my very high expectations with a performance that was simply amazing. Solo Violinist Anar Ibrahimov was flawless, the other musicians were wonderfully talented: Violin I - Timur Ibrahimov, Lauren Manning (yay!) and Sharif Khatib, Violin II - Basil Khouri and Jafar Hashem, Viola - Majed Al Ghazali, Cello - Khaled Bal’awi, Contrabass - Aziz Madi and Rania Ijeilat on piano.
The setting of the Sacred Heart of Jesus Christ Church in Khilda was perfect. I had attended Shireen’s production of Mozart’s Requiem there in 2004. Events like this cause a little Orthodox-envy in my Protestant heart, as the visual beauty of the architecture and images of faith do add an element of worship through all the senses. One cannot enter without feeling a bit of the majesty of the Almighty. The acoustics were wonderful, especially in the second piece, Allegri’s Miserere, when the soloists Caroline Widegrin, Sarah Gerhart, Helena Fanek and Mohammed Sleeq sang from the upper balcony, answering the call of the main choir.
An interesting note from the program: “Miserere mei Deus is the most celebrated of Allegri’s compositions, is a setting of Psalm 50. the work acquired a considerable reputation for mystery and inaccessibility…the Vatican, wanting to preserve its aura of mystery, forbade copies; threatening any publication or attempted copy with excommunication. Fortunately, they were not prepared for a special visit in 1770 from a 14 year old Mozart. On a visit to Rome with his father, Mozart heard it but twice and transcribed the piece faithfully from memory, thus creating the first ‘bootleg’ copy.”
Having spent several years in Austria in a town where Mozart had lived, walking the same streets, listening to his compositions every Sunday in the park, it was a wonderful reminder of a time my life was more full of classical music, gorgeous green parks and freedom to wander.
The opening piece was Vivaldi’s Spring, from The Four Seasons. It was a rousing rendition, and seemed more soprano focused than I have ever heard it before. His Domine Fili Unigente was my husband’s favorite, the Latin stirring his Catholic roots . I didn’t swoon, as I feared, but felt as if I was only partially present, a part of my spirit was before God’s throne in worship. Transported by this amazingly talented group of vocalists and musicians. Not in San Francisco, not in Chicago, but Amman, Jordan.
Bach’s Gloria, from the B Minor Mass, was the piece I took home as a treasured Easter keepsake. Gloria, indeed!
Shireen’s conducting is such a joy to watch. She is connected to those she leads through each movement. She makes eye contact , it seems, with every participant: lifting an eyebrow or a finger, smiling as she anticipated a climactic point, drawing them up with her chin and out with her baton. Watching the choir respond to her was just plain fun. Each was very aware of the importance of their contribution, and they offered it fully and joyfully with their facial expressions and posture as well as their voices.
I was surprised by how many I knew in the choir. Friends, children of friends, teachers of my children, my children’s friends, people I’ve met through church or work. Sarah Gerhart told me afterward that when Shireen saw how many American male singers were in Amman participating in the Christmas Concert (which I missed due to my mil’s death), she just HAD to do an Easter concert while most of them were still here to add to the Jordanian male voices locally. Guys, we need more trained singers here, yella.
Our thanks to all for a tremendously uplifting evening:
Sopranos: Mariana Halaseh, Rita Bawab, Kathy Sullivan, Sarah Gerhart, Caroline Widegrin, Lillie Ris, Hanan Ghannoum, Lexi Haddadin, Munia Abu Lame, Lana Habash, Sarah Brayford, Dana Hudairi, Ghada Odeh, Emily Lodge, Jude Zada, Takako Haddad.
Altos: Hala Qubein, Dina Batarseh, Dr. Nora Tleel, Samia Ghannoum, Jennifer La Chonce, Peg Clement, Eve Omeish, Rania Ijeilat, Yasmine Ireifij, Helena Sayegh Fanek, Rana Konqar, Dr. Barbara Burgan, Renee Makdah
Bass: Silas Brinkmann, Hanna Bawab, Stephen Judson, Mohammed Sleeq, Jad Ireifij, Jeremy Knapp, Yanal, Sunna, Nedy Muna
Tenor: Rami Mihyar, Alaa Werdi, Nathan Shepherd, Yousef Jefferson, Sevak Chekrijian, Zach Dunlap